My Critiques

[Hirishiolo 0]

A beautiful mind It for a long time abandons the gladiator cloth to you and forgets those to you about the former soldier, then expert agent in rapes and redeems, Russel Crowe returns to the composition roles and once again as it was for "Insider" receives one nomination to the Oscar. Directed from Ron Howard, Crowe interprets the difficult life of a mathematical genius prize Nobel John Forbes Nash Admitted Jr.. in 1947 with a scholarship to the specialization course post bachelor in mathematics of the exclusive University of Princeton, Nash literally is obsessed from an only thought: to find an idea truly originates them. Although to the inside of the mathematics department there is a great competitiveness, Nash if it takes care some concentrated com' is not on its only purpose. To single 22 years, after to have sovvertited, the game theory of Adam Smith, father of the modern economy, John Nash becomes the star rising of the "mathematical new", much to look at itself offered to the place of investigator and university professor . But the university engagements and the plan top secret of decode of some codes secrets, give to him from governmental agent William Parcher, quickly lead the young genius to the schizophrenia. Interpretation undoubtedly extraordinary, that one of Crowe, although at all it is not supported from a direction if it does not originate them, at least lively. To part the comprehensible moment of tension of the discovery of the own disease, the rest of the history although its exceptionalit,travels rather on obvious railroads, in which the intensity of the recitation of the protagonists, nobody excluded, it does not succeed to raise of the fates. The fight learns of Nash against its disease and the crash between reason and madness that it will not have never really fine, are deal to you like short and dispel moments to us of the life of a man from the exceptional dowries. The control that Nash succeeded to having with the single aid of the own force of will on the personages who its sick mind continued to maintain lives, is reduced to little images and solo the intense participation of Crowe at times succeeds to be involved. An extraordinary history of courage and love, supported from an indestructible force of will comes therefore reduced to a flat and banal story from the moving end.

[Hirishiolo 0]

A Time for dance hall and also for this year is returned from the holidays to step of dance. The protagonist of this film is in fact a dancer of re-enters, first destined to the cinema of Peter Gilbert. Jules with her friend of the Sam heart, dances since she was child . And it is just this that it wants to continue to make, to dance, and over every thing to enter to the famous Julliard School di New York. A talent, an iron discipline and the garnishments of teaching its always and those dictate to you from the red film "Scarpette", seem to have marked the way of Jules. But the fate the reservoir an unexpected destiny and very more tragic. The physical examination of ruotine necessary in order to participate to the competition of the Julliard diagnostic one disease much serious . While the cures that are forced to face consume them slowly the forces slowly, Jules is approached the own intimate dimension leaving that the notion of ' tempo' acquires new and the deepest one meant. Sam remains next, shadow friend always, melancholic introvert and who through the vicissitudini of the friend will succeed to catch a glimpse and to resolve its personal contrasts. The thinnest thread this history, than is inspired to of the true facts developing but through one inconsistent scenario. The two thematic ones of the film that they would want main, the disease finishes them and the depth of the friendship, forgiveness in insipidity of all the film that they give "Will be famous" to "Flashdance" travels over again the history of the cinema of the sort, without to forget the professional sighs of love and aspirations. Ballets dream to you or are executed interrupt the distance of this adventure from the taste tragic but without never to add null if not ulterior trouble, leaving to intuire that features only of a way rather discounted in order to fill up empty of the scenario, accompanied from one rather heterogenous the sonorous column. Between the two protagonists it is Larisa Oleynik, in the cloth of Jules, the most measured and intense, in spite of the difficulty of the role. Bitter and painful smiles that succeed to affect, emphasizing but al same time, the total lack of artistic personality of Sam, interpreted from one Shiri Appleby incapable to let out its personage from the discounted stereotype of the young person and problematic adolescent.

[Hirishiolo 0]

The Believer Herny Bean, the director of "The believer", seems that the plan of "The Believer" brooded gives beyond twenty years. Dangerous an ambitious and difficult plan and also approvals the topics deals in the film and their unavoidable implications to you. We say endured that vent' planning years have give birth a film a lot interesting and a lot very realized. "The believer" is one of those films that, in spite of the gravity of the arguments deal to you, never do not make you to detach the attention from the screen thanks to the novellistic dowries of the director. "The believer" is a hard film like a fist to the sour stomach and like one spremuta to the vitriol. It is turned with the machine always in motion to the limit of the annoyance, with inquadrature that often cut the faces of the actors to half of the forehead, with light foggy hour hour scarna as a paper from adorns to you grown mouldy. The world converses is urticanti hard sandstones ("is a Jewish disease") that they do not leave some dim light of compiacenza the spectator. It converses exceptional, always rich of contained and always cargos of it means to you skillfully recites from actors all authors to you of a superlativa test. Actors who do not leave escape to good will smiles while sputano the atrocious racist and anti-semitic ideologies. Yes because "The believer" tells the history, true, of Danny Balint, optimally interpreted from the young person Ryan hard and dry Gosling how much intense and dramatic, Hebrew one of nazi birth but for vocation. It is the history of the great contradiction that is born from the alive ones and originates them intelligence of the Danny young person, when during the lessons of the Talmudic school, it discovers and it reveals to masters and students the contradictions, or for less the those that to he they appear such, of its religion until the unavoidable escape from atmospheres of its people. Danny Balint is the most intelligent boy and also much cultured one, equipped of great comunicativa and a sure magnetic fascination. It has a strong and nervous body like its ideas. It enters to make part of the neofascisti groups Americans until landing in one risen of organization, than work to the limits of the legality, than sight to reaffirm principles, sadly you notice, like superiority of the race Ariane and final solution. Here it will meet the heads of this group, between which we find a Theresa Russel rigid and essential like a Sfinge of rock and its daughter (Summer Phoenix," The faculty") an exceptional, cruel, infantile personage, strongly attracted from the person of Danny, as a child can is it with animaletto without one a leg. The end is ineluttabile and written, as the history of the people of Israel, Danny will reach the term of its existential and ideological distance catching a glimpse the only one of the possible solutions in "a null one without aim".

[Hirishiolo 0]

Jumper Every age has the own super-men. To difference of the classics heroes of the Planet, the young Jumpers are of uncontrolled nature ("not are nothing of prohibited"), solitary ("game better alone") and use their exceptional powers in order to make the beautiful life. If they join, is only for live alone from the common threat - generational and full of catholic fondamentalism - represented from the Champions: warriors adults in bourgeois who operate in one schism, heir of the Inquisizione, convinced of having the task protect the Earth. In the construction of new cinematographic mythology from nearly 100 million dollars (in obvious truths not therefore, to part authentic the mixed resumptions in location and theatres of rest), the cues come from two novels of Steven Gould (omonimo "the Jumper" and "Reflex"). Visually the debit is instead in the comparisons of "Matrix": to the supervision of the visual effects there is in fact Joel Hynek that, deepening the job carried out in the film of the Wachowski siblings, has used various blots some from taken fixed with variable stopper in order to resume the action in sequence and to realize sfocati effects and extends to you, a motion-control complex and accurately coreografato, old system "stop and action" and 5-6 controfigure of the brace of Jumpers. With the idea of bottom to render the perspective of the teletrasporto subjective and to obtain therefore a greater involvement of the public. To said of the producers the collected ideas and the material during the working they have made to emerge the hypothesis of one trilogy. Perhaps it is for that the director Doug Liman (risen to the notoriety with "The Bourne Identity", first understood it of the saga) in already striminzita history little interest leaves of the crucial points is confused and unsolved, to mo' of holes. As those space-thunderstorms cross to you from the protagonists.